*review contains spoilers. SPOILERS people.*
bridesmaids: film starring kristen wiig, maya rudolph, melissa mccarthy, rose byrne, wendi mclendon-covey, ellie kemper, jon hamm, chris o'dowd, and some others
due to the ambiguity of the title of this blog, i want to clarify right off that i liked this film very much. i thought the premise was funusual (combination of "fun" and "unusual"--you're welcome!), the acting was incredible, and the writing was often very funny.
melissa mccarthy!!! in a daringly makeup-free performance, melissa mccarthy was freakishly dead-on comedic. she got the broad stuff just right (speech to the air marshall was incredible), the weird stuff just right (more of a six dog than a nine dog person--amazing), and the sensitive characterization stuff just right (whole pep talk to kristen wiig character done very, very right, i thought. i mean, she was that character exactly while she was doing it, so it made me really respect the woman she was playing, and not in a grudging way [it would have been grudging if melissa mccarthy hadn't been so fabulous; i would have (being the paranoiac asshole that i can be) been like, "meh, this movie wants me to respect this character now so i guess i will because i have no reason not to, but i don't want to because this is kind of coming out of nowhere," but melissa mccarthy didn't make it come out of nowhere, she made it an integrated part of who the character was, and that toughness-through-vulnerability thing was quite awesome]). it was like melissa mccarthy asked the question, "how does this woman survive--nay, celebrate--being who she is?", found the answer, and went with it full-bore.
it's pretty super-easy to steal the show when you're playing melissa mccarthy's character, and i thought she did, so i'm not going to ramble about anyone else quite so much, but i really thought everyone was super-good. wendi mclendon-covey took her three jokes about the grossness of her marriage and really sold them; same to ellie kemper (some way in which she described wendi as like a disney princess and smelled good or something--very funny); i think rose byrne played her petulant, paranoid, managing, spoiled and vulnerable hot girl role very well, hitting all of that stuff at one point or another so that we did end up feeling sorry for her and liking her. i also really thought maya rudolph was pretty fantastic insofar as she didn't let her character get any less sweet despite her increasing gentrification.
a lot of what i'm talking about is attributable to the writing--i think, anyway, not knowing ANYTHING ABOUT FILMMAKING. i mean, like, rose byrne character could have been a managing maneater, but she wasn't; maya rudolph character could have gotten entirely and enthusiastically lost in the wedding stuff, but she didn't (that is, she got lost in it, but it wasn't for stupid superficial reasons like some films like to offer us--rose byrne character didn't have a stronger personality than maya rudolph character, for instance, and maya rudolph character was hardly a social climber or anything like that; her getting lost in the wedding stuff seemed eminently reasonable, is what i'm trying to say).
which is why when the film occasionally veered into algorithm-driven rom-com territory, it was kind of disappointing. i love the IT crowd, and i think chris o'dowd is a hilarious and pretty sensitive actor, but all the algorithmic rom-coming happened on his time, so he gets evaluated accordingly. okay, so let's break down exactly what leads up to his reconciliation with kristen wiig character: 1., they sleep together (oh, spoilers--why do i always forget to warn about spoilers? i'll do it now). 2., he asks her to bake with him and she refuses. 3., this pisses him off extensively. 4., she bakes him something he ignores. 5., he eats racoon food and then kisses her with that mouth. now, i'm not getting all the subtleties down here exactly, but the point is that chris o'dowd character, even taking into consideration the fact that he likes kristen wiig character a lot and that therefore her hurting him is extra-important and deserves a more sulky rom-com-esque punishment than it otherwise would, is either underwritten at this point, or is being sucked into rom-com algorithmia. she's already told him she doesn't want to bake, so he is actively ignoring her expressed thingee in getting the baking ingredients. of course she ought to bake, of course it's what's good for her, and he can go ahead and purchase the materials if he wants, he can push her, but if she refuses, it's kind of not her fault that she's not ready, and it's not realistic that he wouldn't acknowledge that without a more pressing reason than what we're given (that he really likes her and is a sensitive guy).
in most romantic comedy situations, the whole "it's not realistic" argument is...what's the phrase i'm looking for...completely irrelevant? sure, i'll go with that. but bridesmaids is good. sure, it has a little too much of kristen wiig falling apart in front of a cornfield, but she does it so well. her refusal to take care of herself is interesting and relevant and uplifting in a weird way and, like, doesn't gloss over failure stuff, really reflects what it's like to lose everything and have to self-destruct over it (aside from the super-cute outfits--when i get depressed i never bother to dress nice [though i know everyone is different, it would have been nice if she'd owned some sweatpants, but this is a very fine point]). and chris o'dowd's character is well-written and well-played too, as honest and gruffly charming dude. so why does a super-generic plotline have to swoop in and steal the sensitive sanity right out of the movie?
maybe it's because we don't know how to settle romantic conflicts in movies--maybe bridesmaids is trying to assure us it's more 40-year-old virgin than juno (though they're both awesome, and wildly popular, movies, and i don't see why a movie would want to be one more than the other). but i really don't have the answers.
final analysis: see movie! (keeping it simple.) for yea verily it is most enjoyable.
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